A poem for mothers

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I’ve been packing up old clothes of Olive’s to re-home them and it struck me, once again, how quickly she is growing… talking a little now, and curious about everything. ‘Whassat?’ is the common refrain, as I explain for the umpteenth time it’s a dress or a pillow or a key.

My friend Sophie sent me this Kate Llewellyn poem recently, and it’s too true, and lovely, not to share:

You used to lean

on that cot rail

and wait

with the vigour of a flame

to leap into my arms

two feet tall and two years old

a sagging nappy

archless feet soft as cats’  tongues

and trodden underneath

a thick and clammy waterproof

warm from sleep

the sheet ruched at the end

toys heaped and confused

neglected as the dead

a duck stuck in the corner

I could see the basket of your ribs

your hands were opened

and all your bones and life

leapt up to mine.

*Shoes above by Embroidery Baby.

Love on the wireless

My new Roberts Radio

My new Roberts Radio

It is a little-known fact that I once fancied myself as a radio dj. True – I even hosted an hour-long show on FBi once called ‘Artspace’, a pretentious little program I conceived the idea for. It was meant to be about the latest comedy gigs, art shows, plays and various other happenings around town, but was actually just an excuse to secure free, opening-night tickets to the aforementioned events. Canny, huh?

Way back in high school, I was positively addicted to listening to the morning show with Mikey Robbins and Helen Razer on Triple J. I even set my alarm at 6am so I could listen to the beginning, and surreptitiously carried around a Sony Walkman (remember those?) for the rest of the morning so as not to miss a thing.

Since I’ve been working from home, I haven’t really listened to the radio much as our stereo’s a bit rubbish and doesn’t get a great reception, but I really missed the morning show on FBi and The Hack, my regular listen-ins on the journey to and from work. I was listening to CDs and podcasts instead.

No more! James presented me with this a couple of weeks ago, for no other reason than the fact I’ve been pining for an old-school Roberts Radio for the better part of ten years.

Now I’m addicted to digital ABC Radio National, Classic FM and Koffee (an easy listening channel with no chat) and ABC Jazz (which you have to say with a long drawl… jazzzzzzzzzzzzzz) and my earlier loves, Triple J and Fbi occasionally, when I’m getting ready for the day (but rarely while I’m working).

My, how times have changed.

Trench-tastic

My reinvented Burberry trench coat for AWW

Reinvented Burberry coat for AWW

My friend Shauna gave me this fab Burberry trench from the seventies, picked up on a charity store jaunt in Boston. It was a bit worse for wear with its much-abused lining, falling-off buttons and dirty hem from jumping one too many mud-filled puddles, but it had potential.

You might remember that I found some divine silk fabric from Ginger & Smart not long ago, as well… I ripped out the signature Burberry check, replaced it with the silk, and bought a set of shiny raspberry-coloured buttons from All Buttons Great & Small to affix before snipping away the grubby hem. Voilà – you have yourself a reinvented trench.

See the July issue of Australian Women’s Weekly for instructions on re-creating your own.

The motherhood juggle

Actress Rebecca Gibney for Sunday Life

Actress Rebecca Gibney for Sunday Life

Olive & me in Sunday Life pieceMotherhood pushes me to the absolute limits sometimes, and it’s hard to remember what life was like when I only had myself to look after, but it’s made me more motivated than ever to write and be creative. It’s because having Olive has thrown into stark relief what is, and what isn’t, important these days. I meet women all the time who say the same thing: children really focus the energies.

My gorgeous & supportive friend Jacinta interviewed me for this Sunday Life piece published last weekend – it’s a look at eight different women and their take on juggling career and motherhood.

I often read Mia Freedman’s columns and blog, and always appreciate her humour and sanity… Mostly, I just really appreciate it when women can be real, and admit when things are a challenge. All we can ever do is our best.

* Image of me and Olive taken by photographer and working mum, the lovely Amanda Prior for Sunday Life.

Artist Cayce Zavaglia

'Sophie' by Cayce Zavaglia

'Sophie' by Cayce Zavaglia

I really feel as though the line between art and craft is becoming more blurred than ever. You might remember the Vicious Threads workshop I went to last year at the MCA, during the Louisa Bufardeci & Zon Ito exhibition. It struck me then, as it does now, how much craft skills are gaining recognition in art circles, and how craft has also crossed over into the field of high design. Especially when I see something like these portraits by Cayce Zavaglia.
Cayce is a mother of four who lives in St. Louis in the US. Here’s what she has to say about her pieces:
“My own love of art and craft began as a child growing up in Australia. This current series of embroidered portraits came about as I thought back on a crewel embroidery piece of a sheep station I had done as a child. I studied painting in college and graduate school, so I wanted these pieces to continue to read as paintings. Although the medium used is crewel embroidery wool, the technique borrows more from the worlds of drawing and painting. Initially, working with an established range of wool colours proved frustrating. Unlike painting, I was unable to mix the colours by hand, but over time I’ve created a system of sewing the threads in a sequence that gives the illusion of a certain colour or tone. The direction in which the threads are sewn has to mimic the way lines are layered in a drawing to give the illusion of depth, volume, and form. Over time the stitches have become tighter and more complex, but ultimately more evocative of flesh, hair, and cloth. My work unabashedly nods its head to the tradition of tapestry and my own love of craft. Using wool and embroidery in my work has allowed me to propose a new definition for the word ‘painting’.”
Feel free to leave a comment – I think they’re amazing. For more of Cayce’s work, visit her gallery online.
'Sophie' detail by Cayce Zavaglia

'Sophie' detail by Cayce Zavaglia

'Martina' by Cayce Zavaglia

'Martina' by Cayce Zavaglia

'Dad' by Cayce Zavaglia

'Dad' by Cayce Zavaglia

'Mum' by Cayce Zavaglia

'Mum' by Cayce Zavaglia

“Sophie”  2007
14″ x 35″
“Martina”  2009
17″ x 40″

“Dad”  2007
14″ x 39″

“Mum”  2001

14″ x 21″

All hand embroidery: crewel wool and acrylic on canvas

Some Home Truths

Lovely tulip image by Germaine Leece

Lovely tulip image by Germaine Leece

Last Thursday, journalist Germaine Leece visited me at home to share a cup of tea and a chat about our home for her website Some Home Truths. It’s a lovely blog about the importance of our living spaces and the comfort they bring… I urge you to stop by for a leisurely read. And if you’re interested, here’s the interview.

My favourite spot to read - the club lounge armchair in our bedroom

My favourite spot to read - the club lounge armchair in our bedroom

My new vintage silk crepe cushions from the Rozelle markets

My vintage silk crepe cushions from the Rozelle markets, with new fillings

And gutentag again, mein lieblings!

The German cover for The Crafty Minx

The German cover for The Crafty Minx

Well, dear readers, you can imagine how totally over the moon I was to see this for the first time. Yes – it’s The Crafty Minx in German! Love it. Christian Verlag, I could kiss you.

For more info, click here.

‘Homemade Happiness’: craft in Vogue

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Check out the current issue of Vogue (July 2010) with the beautiful Rose Byrne on the cover to see my article, ‘Homemade Happiness’. It’s a story about stumbling into the world of crafts, and a love letter to the joy crafting brings.

Enjoy!

More inspiration on Daily Imprint

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Daily Imprint’s Natalie Walton asked me recently for a post on what inspires me for her site. This is what I wrote:

Late last year I went to see UK comedian Daniel Kitson at the Opera House performing his show, 66a Church Road – A Lament Made of Memories and Kept in Suitcases. I can’t tell you how often I’ve thought of it since – it really struck a chord.

Kitson performs a monologue about the time he spent renting the house of the title in London, and all the recollections tied up in it. It’s funny and sad and really got me thinking about the notion of home… how it’s not just where the house is, and how we place so much importance upon material things both to ground and define us.

I love my own home and being around all my things, but it reminded me that I can be happy anywhere, and with very little – a house is just a shell, after all. It’s the weight of our memories that makes it a home, and those people we share them with.

Gutentag, Germany!

Marlene Dietrich. Stollen. Vintage Porsches. Lederhosen. Heidi Klum on Project Runway and glüwein… just a few of my favourite German things (well, maybe not the Lederhosen).

Marlen Dietrich in a rather fetching feather hat

Marlene Dietrich in a rather fetching feather hat

Marlene Dietrich... damn, that woman could smoke

Damn, that woman could smoke

Yesterday I found out the most exciting news – The Crafty Minx will be published in Germany by Christian Verlag, hopefully in time for this Northern-hemisphere Autumn. It’s being translated into German as I type… joy!

Having my writing translated into another language is a pipe dream come true. As Kay, my publisher said, it will be interesting to see whether they attempt to translate the title or leave as is, which sometimes happens: Das Craften Minxen, perhaps?

I doubt she so much as darned a sock, but I fancy Marlene might have approved.

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