Kelly Doust introduces readers to her wonderful world of reviving and customising vintage pieces, while bringing a modern and unique twist to wearing vintage clothes – Dita Von Teese
Costume Appreciation 101
Jean Dujardin and Bérénice Bejo in The Artist
I went to see this at the Open Air Cinema a few nights ago and anticipated admiring the recreations of 1920s and early 30s-era screen style, but was unsure about a silent, black & white film enthralling for the full 100 minutes. But I adored The Artist, the new French film nominated to win a Golden Globe tonight, which is pure delight from start to finish. Featuring one of the best tap dance scenes in cinema history, it also gets my vote for best film ending ever.
But back to the vintage-look threads: costume designer Mark Bridges previously styled Mark Wahlberg and Heather Graham (aka Dirk Diggler and the memorable ‘Roller Girl’) as 1970s porn stars in Boogie Nights, and Johnny Depp and Penelope Cruz’s as 60s drug dealers in suits and maxidresses for Blow. A good part of my enjoyment in each film came from soaking up the era-appropriate set design and costumes, and The Artist is no different. I was in danger of missing some excellent sight gags while off on a brain-tangent admiring the painstakingly-detailed frocks and embroidered cloches in this charming, clever film. And who knew a top hat and tails could be so very appealing?
Vintage lovers, you must watch this. Then opt for a spot of real-time fashion, forties-style with The Maltese Falcon and Notorious, two of my favourite old-Hollywood b&w flicks, which I’m currently digging out of the DVD cabinet. Watch the film trailer for The Artist here, and feel free to comment with your own favourite costume films. Woody Allen’s Midnight in Paris was another recent favourite.
- ‘Peppy Miller’ – peppy by name, peppy by nature
'George Valentin' - eat your heart out, Clark Gable
I am watching Cloudstreet and though it’s not as pretty, that Dolly gets about in some fabulous dos – her hair. And I am guessing as the children head into their late teens the costuming might step up a notch. It’s Aussie and down to earth and true to the time but it’s still beautiful.
I love the costume design in Cloudstreet, too. Reminds me of The Brides of Christ miniseries back in the 90s, which had such a uniquely Australian look and themes.
Jeez, we have similar tastes, Kelly! I was also obsessed with the clothes in The Artist (and the film itself, which I saw twice in two days – once by myself and once with my husband). I loved all of Peppy’s beaded confections, but my favourite outfit of hers was the simple knitted dress that she wears at the first audition – so chic! And Midnight in Paris featured fabulous outfits. I’m going to have to get both of these films on DVD.